“…explosively emotional episodes yield to meditative dialogue, and yet all leads to an ever-accumulating tension, on the screen as well as intellectually… Ivan Cherkelov’s “Crayfish” seems to be a visual definition of Camus’ explanation of life as an “inhuman show in which absurdity, hope, and death carry on their dialogue”.
By Genoveva Dimitrova
LIK magazine
October 2009